Baylin Artists Management

196 West Ashland Street, Suite 201
Doylestown, PA 18901

Tel. 267-880-3750
Fax 267-880-3757


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What the

Critics Say...

"...defiant swing..."
The New Yorker

"...the sound was as hot as the day..."
All About Jazz

"...one of the best brass bands in the city..."
BestofNewOrleans.com

"...one of New Orleans' hottest young street bands..."
San Francisco Chronicle

"New Orleans’ hottest outfit"
San
Francisco Examiner

"First-Rate"
The Village Voice

MUSIC ROSTER: [Bang on a Can All-Stars] [Alex de Grassi] [Danú] [Ethos Percussion Group] [Hot 8 Brass Band] [Hot Club of San Francisco] [The Lascivious Biddies] [The Princely Players] [Turtle Island Quartet] [ZUM]


 

Audio Samples

Digital Press Kit

NPR Dec. 7 2007 Broadcast

Residency

Technical Information

New Orleans’ own Hot 8 Brass Band

New Orleans’ own Hot 8 Brass Band has epitomized New Orleans street music for over a decade.  The band plays the traditional Second Line parades, hosted each Sunday afternoon by Social Aid and Pleasure Clubs, infusing their performances with the funk and energy that makes New Orleans music loved around the world.  The members of the Hot 8 Brass Band were born and raised in New Orleans and many began playing together in high school. What makes the Hot 8 so special are the sounds they coax from their well-loved, well-worn horns. An evening with the Hot 8 is like no other...

Members of the Hot 8 Brass Band have toured in Japan, Italy, France, Spain, Finland, England and Sardinia. The Band performs annually at the New Orleans Jazz & Heritage Festival, world and jazz festivals across the US and Europe, and were featured in the Spike Lee documentary When the Levees Broke. The Hot 8 has released three critically acclaimed recordings and is featured on the latest Blind Boys of Alabama recording on Time-Life Records.

The Hot 8 Brass Band has been part of an important relief project following Hurricane Katrina   SAVE OUR BRASS! is a local grass-roots project that has brought music and instruments to shelters, temporary trailer parks, and communities across the Gulf Coast.

The History of the “Second Line”

Second line parades are the descendants of the city’s famous jazz funerals and, apart from a casket, mourners and a cemetery visit, they carry many of the same traditions with them as they march down the streets. Today, the parades are not tied to any particular event, holiday or commemoration; rather, they are generally held for their own sake and to let the good times roll.


Photo © 2007 Will Templin

Second lines trace their roots back to the 19th century and the fraternal societies and neighborhood organizations that collectively provided insurance and burial services to members, especially among the African American community. The "first line" of a funeral consisted of the people who were an integral part of the ceremony, such as the members of the club or krewe, or family and friends of the deceased. The "second line" originally referred to people who were attracted to the music. Led by a "Grand Marshal", the band and mourners would move to the burial site, with the band playing a dirge to signal the struggles, the hardships, the ups and downs of life.  On the way back, the music became more joyful. Relatives, friends, and acquaintances would become the second line and dance with wild abandon. The second line, usually sporting umbrellas and handkerchiefs, became traditional at these jazz funerals.

The noun second line, is also the name of a "unique dance", performed to the beat of New Orleans’ traditional jazz. The dance is an evolved version of an old African dance known as the, "Bambula".

recordings: Louisiana Red Hot Records and MunckMix

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Residency

OVERVIEW

The Hot 8 Brass Band is keeping the brass band alive by providing opportunities for students and the public to learn about and experience a unique cultural tradition.  Working with the “Young People’s Project”, the Hot 8 Brass Band toured the program Finding Our Folk where the band worked with young people to harness their historical and cultural traditions and promote individual and community strength, development and self-determination. This acclaimed project served as the blueprint for the following activities. The ensemble creates dialogue that seeks to build bridges between individuals and communities, linking the physical and social reconstruction of New Orleans to the need for a cultural revival in communities across America. In the end, participants may recognize that in many cities in the United States today, there are similarities to post-Katrina New Orleans.

The following activity descriptions broadly outline the types of residency services offered by the Hot 8 Brass Band.  The ensemble and the programs are remarkably flexible, and the group is always willing to accommodate the unique needs of each outreach event.

RESIDENCY ACTIVITIES:

School Performance:  Tradition, Tragedy and Hope: A brief survey of brass band music.

School Performances include storytelling and music from the New Orleans tradition explaining the root of the culture and its connections to West Africa. Church and blues music reflecting songs familiar to the southern experience, are performed interspersed with stories about the history of New Orleans and Katrina’s impact on the lives of her victims.

Duration:                       60 minutes

Age Range:                   Elementary through College

Number of Participants: No minimum or maximum number

Tech Requirements:       Can be held in auditorium or gymnasium and will require PA system and an adequate number of vocal mics to fit space 

Lecture/Demonstrations

The Lecture/Demonstration listed below has been developed for students, faculty and community members.  It combines live performance with the personal stories of band members to connect participants to the people, music, traditions that have emerged from the streets of New Orleans.

“Hot 8 Gumbo—Rap, Jazz, Rock, and Myth: Tradition and Transformation in Contemporary New Orleans Brass Bands”, This talk and demonstration focuses on the techniques and ideas from New Orleans’ musical heritage, its origins, how it is carried on, and the threats posed to its continuation in the aftermath of Katrina. 

Duration:                       60 minutes

Age Range:                   Elementary through College

Number of Participants: No minimum or maximum number

Tech Requirements:       Can be held in auditorium or gymnasium and will require PA system and an adequate number of vocal mics to fit space

Master Classes/Demonstrations

Music: The Hot 8 works specifically with brass band students. This class allows participants to immediately try out various musical ideas discussed and explained.

Duration:                       60 minutes - 2 hours

Age Range:                   Elementary through College

Number of Participants: 20-30 participants

Tech Requirements:       Band room or large open space and appropriate seating.

Dance/Movement: Participants will work with Hot 8 Brass Band’s Grand Marshal and learn about traditional movements/dances as well as the famous 2nd Line Parades (African influenced). The Hot 8 provides live accompaniment.

Duration:                       60 minutes

Age Range:                   open to all ages

Number of Participants: 20 participants

Tech Requirements:       space large enough to allow participants ample room for movement

SAVE OUR BRASS!

Following Hurricane Katrina the Hot 8 Brass Band members, like most New Orleanians, were scattered throughout the country. On September 15th, 2005, two weeks after the storm, the band regrouped, helping to initiate SAVE OUR BRASS! a local grass-roots project that brought music to evacuee shelters, temporary trailer parks, and communities that have reached out to New Orleanians.  The Hot 8 Brass Band continues their efforts to provide hope and healing for those impacted by the storm through the Finding Our Folk Tour, traveling to 8 cities in four consecutive weekends during January and February, 2006.  The tour successfully connected young people and adults from around the country with the plight of people and families directly impacted by the storm.

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Technical Information

Please contact Baylin Artists for technical information.

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